Romance Writer’s Weekly: Ch-ch-changes!


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This week’s questions are from Ronnie Allen! Let’s get to it.

1.  When do you decide that you’ve done enough editing and changes would now be making it different, not better? So it’s the time to submit.

That’s a good question. I’m never certain it’s “done enough.” The only time I don’t feel the need to tinker with a project is after it’s been published, and even then, I find errors and things I should change. It’s one of the reasons why I have a problem with reading my stuff after it’s done. I can always think of something I could have done better, or done differently.

I guess what that means is that I’m a terrible person to ask this question of. I tinker until the darn thing is published, and then I generally wish I had tinkered a little bit more.

2. When and how do you accept change advice by rejection letters and critique partners?

It depends on the advice. When a publisher gives me advice–especially when they’re rejecting me–I generally take it unless it would change the overall tone of the story. After all, they’re saying they don’t want it, but they took the time to give me advice on what could be done to make it better. That sort of advice always deserves a second look. The only time I disregarded this advice was when I wrote an urban fantasy, and the publisher asked me to re-write the entire thing as a YA, focused around a single scene in the story (that didn’t even have the main characters in it, since they were both adults). That’s not asking for rewrites or giving me advice about how to make THIS story better; that’s asking me to write and submit something completely different. I ignored that advice, though I’ll admit, the story she wanted would make a nice, gritty NA.

As for changes suggested by critique partners? Well, it depends on the changes. Most of the time, I listen to what people tell me. If it would change the entire storyline, well, no, I won’t change that. But if it’s a change to make it flow more logically, then sure, I’ll look at reworking chapters or scenes or sentences to make it work. I think it’s important to listen to what everyone says with an open heart, but to remember that the work is yours. Take the advice that is useful, and disregard the rest. At the same time, I think it’s important to remember not to view your words as so precious you refuse to part with them or make changes. No one’s work is so good that they couldn’t use and editor, and no one’s story is so perfect it can’t use improvement.

3. When you’re not writing, how do you spend your day or do you create your day around your writing?

Gads, that’s a hard question. Work days generally look something like this:

6:00am: Wake up. Check Facebook. Try to think of something witty to say, something engaging and interesting and awesome. Usually fail. I might settle for silly.

6:30: Get out of bed and into the shower.

7:00: I’m READY! Oh wait, my hair’s still wet.

7:15: Ah, hell. That’s good enough. It looks the same regardless of the effort I put into it anyway.

7:30: Do dishes, throw something into the crock pot for dinner, make lunches, feed kids.

8:15: Leave for work. Hopefully, the homework was done and checked the night before, otherwise I’m checking it in my office at work. And none of us like that.

8:30-4:30: Work. If I’m lucky, and ate lunch sitting at my computer, I got it all done. If I’m unlucky, I’ll be writing IEPs at midnight. Again.

5:00: Arrive at outside client’s house or a kid activity. It depends on the day.

6:15-6:30. Home. Throw down backpacks and eat. Unless it’s Cub Scout night, in which case the boy and the hubs grab it to go, and head out the door. Or, the kids might have swimming after we see the outside client, in which case we go there instead, and get home around 7:00.

7:00: Check homework.

7:15: Tell the boy he has to do it over, because it’s super messy.

7:45: Tell him he can type it, because it’s just getting worse.

8:00: Everyone to bed. Husband and I chop the vegetables for the next day, if we’re on top of things. Afterwards, I’ll break out the laptop. Get distracted by the piles of laundry. Maybe start a load.

9:00: Girl child complains she can’t sleep.

9:10: I put in headphones and start to write.

9:45: Oh, look, the siren call of Facebook!

10:00: Just this one tweet, and then I’ll get to it.

10:15-12:00: I’m writing! If it’s going well, I might go until 2:00am. Which, by the way, is insane. Don’t do that.

Non-work days often look this:

6:00 Wake up. OH MY GOD, I’M SO TIRED! Oh wait, it’s Saturday. **Snore**

6:30: Boy child walks in, wearing (if I’m lucky) pajamas and a Darth Vader mask. “Mom, can I watch a show?”

My real child, in his real Vader mask
My real child, in his real Vader mask

Me: “Bananas are on the counter. Don’t forget to do your flamenco dancing. And beware the octopus.”

Boy child, breathing heavily: “Right on, my son.  I’ll watch  Star Wars. Oh, and Mom?”

Me: “I need to give the unicorn a bath.”

Boy Child, in his best Vader voice: “Uh huh. I am your father.”

Because I am asleep, I can’t explain the physical impossibility of this, but whatever. His father, who is awake during this whole exchange, thinks it’s hysterical, and won’t ruin the moment with things like logic.

7:00: Wake up again. Why am I singing The March of the Sith? Go back to sleep.

7:15: Children walk in: “Mom, we’re hungry. Can we eat chocolate for breakfast?”

Me: “The dog barks at midnight. Are you wearing underwear?”

Girl Child: “Chewey, that means yes. You are wearing underwear, aren’t you?”

Boy Child: “Mostly.”

Girl Child: “Good enough. Come on, let’s go  before she wakes up.”

Me: “Wha?” **Snore**

8:00: I get up for real this time. Am miffed because all of my chocolate is missing, and Chewey looks like Poirot, with his giant chocolate mustache. I make breakfast anyway. I make pumpkin pancakes. Unfortunately, everyone wants eggs and toast.

8:30: Do dishes, and contemplate doing more chores.

I usually get the opportunity to write until about 11:00, when I have to take the Girl Child to Girl Scouts. But then I get to sit in the library at the university and write for two solid hours. It’s lovely.

2:30-6:00 Is family time.

6:30: Daddy time and a movie. I write while hanging on the couch with the children.

8:30-????: We all head upstairs to bed. I put in headphones and write until I fall asleep at the computer. The two pages of eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee will have to be rewritten, but hey, it works for now.

That’s it for me! (I say “that’s it!” like I wrote some short little ditty instead of the multi-page manifesto that is actually vaguely embarrassing. Or would be, if I had any sense of shame left)

Since you’ve had enough of me, why not head over and see what Josie Malone has to say?

 

 

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5 thoughts on “Romance Writer’s Weekly: Ch-ch-changes!”

  1. Adorable, Meggan! 🙂 I agree with JJ, though. Your schedule does sound exhausting, so hats off to you for making it all work. As I read the various posts on this hop, I am so excited by hearing how so many writers are so dedicated to their writing.

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